Sander  Germanus

c o m p o s e r

 

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Sander Germanus (Amsterdam,1972) studied classical saxophone from 1988 untill 1995 with Ed Bogaard at the Conservatory of Amsterdam, where he finished his studies as a soloist cum laude with distinction for artistic qualities. He began his musiccompositionlessons with Peter-Jan Wagemans as his compositionteacher and Klaas de Vries as his orchestrationteacher in 1992 at the Conservatory of Rotterdam, where he finished his compositionstudies with distinction in 1998. From 1994 he also studied with Luc Van Hove at the Royal Flemish Musicconservatory at Antwerp. At request of De Nederlandse Opera he had a meeting and musical confrontation with Pierre Boulez in 1995. In 1998 he won a compositionprize from the city of Amsterdam for his composition “Adamsarchipel”. In 1999 he was admitted to the Orpheus Institute of Ghent to realise a studyproject with relation to future applications of quartertones in music as an absurdistic and pleasant alienated element in his ‘musicthermic’. At this institute he joined several residential seminaries from among others Helmut Lachenmann and Jonathan Harvey. In 2000 he was nominated on television for the NPS-cultureprize for his quartertone composition “Continental” and reached the final. During the season 2001/2002 a stipend at the Internationales Künstlerhaus Villa Concordia of Bamberg was offered to him, where he stayed for half a year to compose and to give lectures at the university and some grammar-schools. In 2003 he composed a piece for Il Solisti del Vento in occasion of the Festival of Flanders Antwerp. In 2004 he composed “Steigers” for the opening of a new quarter of Amsterdam, based on a concept of town-building, like “Adamsarchipel”. In the spring of 2005 the final presentation of his studyproject will take place at the Orpheus Institute.

 

He composed music for several ensembles, like the Nieuw Ensemble, Percussiongroup The Hague, Calefax reedquintet, Doelen stringquartet, Escher Ensemble, Aurelia Saxophonequartet, Noordhollands Philharmonisch Orkest, Dario Fo Choir and the Residentie Orchestra, etc.

 

Momentary he is composing pieces for Orkest De Volharding and for the Doelen Ensemble in combination with Calefax, in which his quartertonetheories can be heard. His music has been regular broadcasted by radio and television en has been performed international. His pianowork "Beetje Precies" and "Capriccio voor genoeg vioolsnaren" have been brought out on CD.

 

As a saxophoneplayer he played in several orchestras and ensembles since 1990, among which the Radio Philharmonic Orchestra Holland, the Schleswig-Holstein Festival Orchester, the Radio Symphony Orchestra Holland, The Netherlands Promenade Orchestra. From 1991 he played the soprano- and sopraninosaxophone in the World Saxophone Orchestra and several other ensembles. From 1992 he participated in saxophonemasterclasses of Jean-Marie Londeix, Claude Delangle (France), Ryo Noda (Japan), Krzysztof Herder (Poland) en Eddie Daniels (USA). His début as a saxophonesoloist came in 1998 with the Doelen Ensemble during the Gaudeamus International Musicweek in Amsterdam.

 

 

 

 

 

 

 

 

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