Lera Auerbach

Internet Edition compiled by Onno van Rijen

Updated 12 May 2007

Born

21 October 1973 in Chelyabinsk (Ural).

Education

Lera Auerbach became one of the very last artists to defect the Soviet Union during a concert tour in 1991 while still in her teens. She subsequently earned Bachelor and Master’s degrees from The Juilliard School, where she studied piano with Joseph Kalichstein and composition with Milton Babbit and Robert Beaser. In 2002 she graduated from the prestigious piano soloist program of the Hannover Hochschüle für Musik where she studied with Einar-Steen Nøkleberg.

Photographs: Friedrun Reinhold

Works

"Two Songs" for soprano and piano opus 10 (1986-1988)
Text: Federico García Lorca (in Russian).
Dedicated to Ludmila Shenderova.
1. Song of Solitude (1988)
2. When I Die (1986)
Duration: 5 minutes.
First performance: 1988 in Chelyabinsk by Ludmila Shenderova (soprano) and Lera Auerbach (piano).
"Sad Birch", song for soprano (F minor) or mezzo-soprano (C minor) and piano opus 15 (1990)
Text: Afanasy Fet (in Russian).
Dedicated to Lina Tetruashvili.
Duration: 3 minutes.
First performance: 1 April 1996 in New York by Lina Tetruashvili (soprano) and Lera Auerbach (piano).
Monologue for flute opus 19 (1990)
Dedicated to Adik Abdurahmanov.
Duration: 7 minutes.
"Butterfly", encore for soprano and piano opus 22 (1992)
Text: Joseph Brodsky (in Russian).
Duration: 3 minutes.
First performance: 23 July 1999 in New York by Lina Tetruashvili (soprano) and Lera Auerbach (piano).
"October Tune", song for tenor or mezzo-soprano and piano opus 23 (1992)
Text: Joseph Brodsky (in Russian).
Dedicated to the memory of Alichka.
Duration:4 minutes.
First performance: 18 March 2003 in Chicago by Julia Bentley (mezzo-soprano) and Andrea Swan (piano).
"We Cannot Remember Them", song for soprano and piano opus 26 (1992)
Text: Mark Strand (in English).
Duration: 5 minutes 15 seconds.
First performance: 1 April 1996 in New York by Lina Tetruashvili (soprano) and Lera Auerbach (piano).
"After the End of Time" for electronic tape opus 27 (1992)
Duration: 9 minutes.
First performance (as a ballet): 21 March 1998 in New York, choreographed by the Juilliard Dance Group.
Piano Trio opus 28 (1992-1996)
Dedicated to Vadim Gluzman, Angela Yoffe and Wendy Warner.
Duration: 12 minutes.
First performance: 2 June 1999 in Schwetzingen by Vadim Gluzman (violin), Wendy Warner (violoncello) and Angela Yoffe (piano).
Chorale, Fugue and Postlude for piano opus 31 (1994)
Duration: 10 minutes.
Revised (commissioned by Brigitte Feldtmann) in 2003.
First performance (Fugue and Postlude): 29 December 1994 in Chelyabinsk by Lera Auerbach (piano).
First performance of the revised version: Autumn 2004 in Hamburg by Lera Auerbach (piano)

CD Lyric Records 101: (Fugue and Postlude of the 1994 version) Lera Auerbach (piano)
CD BIS CD 1462: Lera Auerbach (piano)

"T'Filah" for violin solo opus 33 (1996)
Dedicated to Vadim Gluzman.
Duration: 6 minutes 30 seconds.
First performance: 1 September 1996 in Stresa by Vadim Gluzman (violin)

CD BIS 1242: Vadim Gluzman (violin)

"Prayer" for english horn solo opus 33A (1996)
Commissioned by Candis Threlkeld.
Duration: 7 minutes.
First performance: 1997 in Aspen by Candis Threlkeld (english horn).
Monologue for double bass opus 34 (1996)
Commissioned by and dedicated to Rafael Agudelo.
Duration: 7 minutes.
First performance: 1996 in New York by Rachel Calin (double bass).
"Poetry", song for soprano and piano opus 36 (1997)
On a text of Hilan Dov Warshaw (in English).
Dedicated to Sonia Simmenauer.
Duration: 5 minutes.
First performance: 1997 in New York by Lina Tetruashvili (soprano) and Lera Auerbach (piano).
"Prayer", song for soprano and piano opus 37 (1997)
On a text of Hilan Dov Warshaw (in English).
Dedicated to Sonia Simmenauer.
Duration: 3 minutes.
First performance: 7 October 1997 in Aspen (USA) by Lisa Layman (soprano) and Lera Auerbach (piano).
Monologue for viola opus 38 (1997)
Duration: 5 minutes 30 seconds.
First performance: 14 July 2001 in Lockenhaus by Vladimir Mendelssohn (viola)>
Piano Concerto No. 1 opus 39 (1997-1998)
Commissioned by and dedicated to Herbert and Beverly Gelfand.
Movements:
1. Part I: River of Loss
2. Part II: Dialogue with Time
3. Part III: Wind of Oblivion
Duration: 38 minutes.
First performance (Part I): 18 November 1999 in Newark by the New Jersey Symphony , conducted by David Commanday, Lera Auerbach (piano).
First performance (Part I - III): 18 November 2000 in Yaroslavl by the Yaroslavl Philharmonic, conducted by Murad Annamamedov (conductor), Lera Auerbach (piano).
"Dialogue with Time" for orchestra opus 39B (1997)
Part II of the piano concerto.
This can be performed separately as an orchestral piece with the piano being part of the orchestra.
Duration: 8 minutes.
Double Concerto for violin, piano and orchestra opus 40 (1997)
Dedicated to Vadim Gluzman and Angela Yoffe.
Movements:
1. Moderato
2. Chorale (Andante religioso)
3. Vivace
Duration: 31 minutes.
First performance: December 2006 in Stuttgart by the Radio-Sinfonieorchester Stuttgart, conducted by Andrey Boreyko withVadim Gluzman (violin) and Angela Yoffe (piano).
Twenty-Four Preludes for piano opus 41 (1999)
Dedicated to Tom and Vivian Waldeck.
Co-commissioned by Tom and Vivian Waldeck and the Caramoor International Music Festival.
Parts:
1. C major: Moderato
2. A minor: Presto
3. G major: Moderato
4. E minor: Allegro appassionato
5. D major: Andantino
6. b minor: Corale
7. A major: Andante
8. F sharp minor: Presto
9. E major: Allegro ma non troppo
10. C sharp minor: Largo
11. B major: Misterioso
12. G sharp minor: Allegro
13. F sharp major: Andante
14. E flat minor: Allegretto
15. D flat major: Moderato
16. B flat minor: Moderato – Allegro ma non troppo
17. A flat major: Adagio
18. F minor: Grave
19. E flat major: Andante
20. C minor: Misterioso
21. B flat major: Allegro moderato
22. G minor: Andante
23. F major: Allegretto
24. D minor: Grandioso
Duration: 39 minutes.
First performance: 23 July 1999 in New York by Lera Auerbach (piano).

CD: BIS CD 1462: Lera Auerbach (piano).

Suite for piano opus 41A (1999)
Nine preludes from opus 41:
1. Andantino (No. 5)
2. Allegretto (No. 14)
3. Presto (No. 8)
4. Grave (No. 18)
5. Allegro moderato (No. 21)
6. Misterioso (No. 20)
7. Moderato – Allegro ma non troppo (No. 16)
8. Adagio (No. 17)
9. Grandioso (No. 24)
Duration: 15 minutes.
First performance: 12 July 2001 in Lockenhaus by Lera Auerbach (piano).
Psalm 23 for mixed choir (in Hebrew) opus 42 (1999)
Dedicated to Tom Waldeck.
Duration: 3 minutes 20 seconds.
Psalm 100 for boys (or children) choir (in Hebrew) opus 43 (1999)
Dedicated to the memory of Melanie Silverman.
Duration: 3 minutes.
Psalm 130 for mixed choir (in Latin) opus 44 (1999)
Dedicated to Page and Elizabeth Johnson.
Duration: 4 minutes 30 seconds.
"Ten Dreams" for piano opus 45 (1999)
Dedicated to Robert von Bahr.
Co-commissioned by Tom and Vivian Waldeck and the Queens Chamber Ensemble.
Parts:
1. Allegro moderato (As in a nightmare)
2. Tempo di valse
3. Andante misterioso
4. Allegro
5. Tempo di marcia
6. Lento
7. Energico
8. Moderato
9. Allegro misterioso
10. Allegro
Duration: 16 minutes.

CD BIS CD 1462: Lera Auerbach (piano)

Twenty-Four Preludes for violin and piano opus 46 (1999)
Dedicated to Vadim Gluzman and Angela Yoffe.
Commissioned by Herbert and Beverly Gelfand.
Parts:
1. C major: Adagio mortale
2. A minor: Andante (Tempo di valse)
3. G major: Andantino misterioso
4. E minor: Allegro
5. D major: Allegro moderato
6. B minor: Allegro marcato
7. A major: Allegro moderato
8. F sharp minor: Andante
9. E major: Allegro
10. C sharp minor: Allegro
11. B major: Allegretto
12. G sharp minor: Adagio
13. F sharp major: Allegro moderato
14. E flat minor: Presto
15. C sharp major: Adagio sognando
16. B flat minor: Misterioso
17. A flat major: Vivo
18. F minor: Agitato
19. E flat major: Moderato
20. C minor: Tragico
21. B flat major: Andante
22. G minor: Moderato serioso
23. F major: Andante
24. D minor: Presto
Duration: 59 minutes.
First performance: 22 June 2003 in Hamburg by Vadim Gluzman (violin) and Angela Yoffe (piano).

CD BIS 1242: Vadim Gluzman (violin), Angela Yoffe (piano)

Suite for violin and piano opus 46A (1999)
Ten preludes from opus 46:
1. Adagio (No. 1)
2. Allegro marcato (No. 6)
3. Andante (No. 8)
4. Adagio (No. 12)
5. Presto (No. 14)
6. Adagio sognando (No. 15)
7. Misterioso (No. 16)
8. Tragico (No. 20)
9. Andante (No. 23)
10. Presto (No. 24)
Duration: 22 minutes.
First performance: 15 November 2001 in New York by Vadim Gluzman (violin) and Angela Yoffe (piano)
Twenty-Four Preludes for cello and piano opus 47 (1999)
Parts:
1. C major: Andante
2. A minor: Allegro
3. G major: Andante misterioso
4. E minor: Allegro obsessivo
5. D major: Moderato
6. B minor: Tragico
7. A major: Vivo ma non troppo
8. F sharp minor: Grave
9. E major: Vivace
10. C sharp minor: Adagio sognando
11. B major: Allegro
12. G sharp minor: Adagio
13. G flat major: Moderato
14. E flat minor: Scherzando
15. D flat major: Allegro con brio
16. B flat minor: Tempo di valse
17. A flat major: Allegro ritmico
18. F minor: Andantino
19. E flat major: Allegro appassionato
20. C minor: Giocoso
21. B flat major: Dialogo
22. G minor: Andante nostalgico
23. F major: Adagio sognando
24. D minor: Vivo
Duration: 46 minutes.
First performance: 22 June 2003 in Hamburg by Ani Aznavoorian (violoncello) and Lera Auerbach (piano).
Suite for cello and piano opus 47A (1999)
Nine preludes from opus 47:
1. Andante (No. 1)
2. Allegro (No. 2)
3. Andante misterioso (No. 3)
4. Allegro appassionato (No. 19)
5. Tragico (No. 6)
6. Allegro con brio (No. 15)
7. Tempo di valse (No. 16)
8. Adagio (No. 12)
9. Vivo (No. 24)
Duration: 17 minutes.
First performance: 1 June 2000 in Baltimore by Wendy Warner (violoncello) and Lera Auerbach (piano).
Postlude, encore for violin and piano opus 47B (1999).
Dedicated to the memory of Saul Barnett.
Duration: 2 minutes 30 seconds.

CD BIS 1242: Vadim Gluzman (violin), Angela Yoffe (piano)

"Dance of David", song for boy-soprano or soprano and piano opus 50 (2000)
On a text of Arseny Tarkovsky (in Russian).
Duration: 2 minutes.
First performance: 14 July 2001 in Lockenhaus by Yulia Korpacheva (soprano) and Lera Auerbach (piano).
"Poor Fisherman" song for boy-soprano or soprano and piano opus 51 (2000)
On a text of Arseny Tarkovsky (in Russian).
Duration: 2 minutes.
First performance: 14 July 2001 in Lockenhaus by Yulia Korpacheva (soprano) and Lera Auerbach (piano).
"Images from Childhood", twelve pieces for piano opus 52 (2000)
Parts:
1. The Question
2. What a Story!
3. Dialogue
4. Quarrel
5. An Old Photograph from Grandparents’ Childhood
6. After the War (The field of the dead)
7. Decision
8. Family Holiday
9. Stubborn
10. E-Creatures
11. Shadows on the Wall
12. Prayer
Duration: 11 minutes.
First performance: 8 April 2001 in Boston.
Three Dances in the Old Style, encores for violin and cello opus 54 (2000)
Dedicated to Eugene Kalnitsky.
Duration: 5 minutes.
First performance (Nos. 1 and 2): 14 July 2001 in Lockenhaus by Sandis Steinberg (violin) and David Geringas (cello)
First performance (No. 3): 18 May 2002 in Schwetzingen by Gidon Kremer (violin) and Marta Sudraba (cello).
Violin Concerto No. 1 opus 56 (2000-2003)
Dedicated to Philippe Quint.
Commissioned by the American Youth Symphony.
Movements:
1. Grandioso
2. Moderato
3. Andante religioso
4. Allegro
Duration: 28 minutes.
First performance: 22 February 2004 in Los Angeles by the American Youth Symphony, conducted by Alexander Treger (conductor), Philippe Quint (violin).
Sonata No. 1 for violin and piano opus 57 (2000)
Dedicated to Philippe Quint.
Movements:
1. Grandioso
2. Moderato
3. Andante religioso
4. Allegro
Duration: 23 minutes.
First performance: 7 February 2001 in Mexico City by Philippe Quint (violin) and Tatiana Goncharova (piano).
Five Preludes from Shostakovich’s Op. 34 arranged for violin and piano (2000)
They were conceived, together with Dmitri Tsyganov’s existing arrangement of 19 preludes, to complete the 24 preludes cycle in a version for violin and piano.
Commissioned by Grigory Kalinovsky.
1. Moderato (No. 4)
2. Andante (No. 7)
3. Adagio (No. 14)
4. Moderato (No. 23)
5. Presto (No. 9)
Duration: 8 minutes.
First performance: 5 September 2001 in Jerusalem by Grigory Kalinovsky (violin) and Tatiana Stepanova (piano).

CD Centaur Records 2636: Grigory Kalinovsky (violin), Tatiana Goncharova (piano) (with 19 Shostakovich preludes arranged by Dmitri Tsyganov)

"The Blind", a-capella opera for twelve singers opus 58 (2001)
Libretto (in English) by Lera Auerbach based on Maurice Meaterlinck’s “Les Aveugles”.
For 2 sopranos, 2 mezzo-sopranos, 2 contraltos, 2 tenors, 2 baritones, 2 basses (6 leading voices and supporting chorus).
Duration: 55 minutes.
"Seventy-Two Preludes for Moses" for soprano, contralto, counter-tenor, tenor, baritone, bass and mixed choir opus 59 (2001)
Text: 72 names of angels.
Co-commissioned by Tom and Vivian Waldeck, Herbert and Beverly Gelfand and Film and Video Workshop (NY).
Duration: 57 minutes.
Suite for violin, piano and string orchestra opus 60 (2001)
Dedicated to Gidon Kremer.
Commissioned by Gidon Kremer and Kremerata Musica for the 20th anniversary of the Lockenhaus Festival.
1. In the Beginning
2. Con spirito
3. Scherzo-noir
4. The Unreachable
5. After the War
6. Dream from Childhood
7. Toccata of Life and the Silence of the Past
Duration: 30 minutes.
First performance: 13 July 2001 in Lockenhaus by Kremerata Baltica, Gidon Kremer (violin) and Lera Auerbach (piano).
"Oskolki (Broken Pieces)" for violin and piano opus 61 (2001)
Dedicated to Gidon Kremer.
1. Agitato
2. Allegro moderato
3. Adagio
4. Moderato
5. Andante
6. Vivo
7. Andante
8. Allegro moderato
9. Andante
10. Vivo
Duration: 14 minutes 30 seconds.
First performance: 28 March 2004 in Basel at the Festival “Les Muséiques” by Gidon Kremer (violin) and Lera Auerbach (piano).
Sonata No. 2 for violin and piano "September 11" opus 63 (2001)
In one movement.
Duration: 11 minutes.
First performance: 7 October 2003 in New York by Philippe Quint (violin) and Adam Neiman (piano).

CD BIS CD 1592: Vadim Gluzman (violin), Angela Yoffe (piano)

"Memory of a Tango", encore piece for double bass solo opus 64 (2002)
Commissioned by Rafael Agudelo.
Duration: 1 minute 40 seconds.
First performance: 17 August 2002 in New York by Rafael Agudelo (double bass).
Prelude, Toccata and Postlude for carillon opus 65 (2002)
Duration: 7 minutes.
"Lullaby" for mixed choir opus 66 (2002)
Text: William Blake’s “Cradle song” (in English).
Duration: 3 minutes.
"Prophecy" for tenor (or soprano) and organ opus 67 (2002)
On a text of the Bible, Acts 2:17-21 (in English).
Commissioned by and dedicated to Elyssa Lindner.
Duration: 7 minutes.
"Serenade for a Melancholic Sea" for violin, cello, piano and string orchestra opus 68 (2002)
Dedicated to Gidon Kremer.
Commissioned by Orchestra Ensemble Kanazawa.
Duration: 10 minutes.
First performance: 12 September 2002 in Kanazawa by the Orchestra Ensemble Kanazawa, conducted by Hiroyuki Iwaki with Michael Dauth (violin), Marta Sudraba (cello) and Andrius Zlabys (piano)
Sonata No. 1 for cello and piano opus 69 (2002)
Dedicated to David Finckel and Wu Han.
Composer's Note
Co-commissioned by Hancher Auditorium / The University of Iowa and the Music in the Park Series, St. Paul, MN.
1. Allegro moderato
2. Lament (Adagio)
3. Allegro assai
4. With extreme intensity
Duration: 24 minutes.
First performance: 19 February 2003 in Iowa City by David Finckel (cello) and Wu Han (piano).
"Lonely Suite "Ballet for a Lonely Violinist" for violin solo opus 70 (2002)
Dedicated to Vadim Gluzman.
Parts:
1. Dancing with Oneself
2. Boredom
3. No Escape
4. Imaginary Dialogue
5. Worrisome Thought
6. Question
Duration: 9 minutes.
First performance: 16 March 2004 in San Francisco by Vadim Gluzman (violin).

CD BIS CD 1592: Vadim Gluzman (violin)

"To the World", song for soprano and piano opus 71 (2003)
On a text of Hilan Dov Warshaw (in English).
Dedicated to Sonia Simmenauer.
Duration: 4 minutes.
First performance: 18 March 2003 in Chicago by Julia Bentley (mezzo-soprano) and Andrea Swan (piano).
Sonata for cello opus 72 (2003)
1. Prélude – Allegro moderato
2. Alla breve
3. Moderato – Lento – Interlude
4. Vivo
5. Allegro ma non troppo, con fuoco
Duration: 12 minutes.
First performance: 9 February 2004 in Athens by Christophor Miroshnikov (cello)>
Prelude, Toccata and Postlude for vibraphone solo opus 75 (2003)
1. Allegro grandioso e tragico – Andante nostalgico
2. Allegro marcato (ma non troppo)
3. Molto meno mosso – Andante – Poco meno mosso
Duration: 4 minutes.
"Last Letter" for soprano (or mezzo soprano), violoncello and piano opus 76 (2003)
On a text of Marina Tsvetaeva “Novogodnee”.
Commissioned by Yehuda Hanani and Close Encounters with Music through its Music Commissioning Project.
Duration: 20 minutes.
First performance: 26 October 2003 in Great Barrington (near Boston) by Francis Ginsberg (soprano), Yehuda Hanani (violoncello) and Lera Auerbach (piano).
Violin Concerto No. 2 opus 77 (2004)
Dedicated to Akiko Suwanai.
Commissioned by Ensemble Kanazawa.
In one movement: Allegro.
Duration: 14 minutes.
First performance: 21 September 2004 in Kanazawa by the Orchestra Ensemble Kanazawa with Akiko Suwanai (violin).
String Quartet No. 1 opus 79 (2004)
Commissioned by and dedicated to Sonia Simmenauer.
1. Allegro molto
2. Moderato – Allegro ma non troppo
3. Agitato – Grave funebre
Duration: 16 minutes.
First performance: 16 January 2005 in Lucerne by the Kuss Quartet.
"The Little Mermaid", ballet in 3 acts opus 80 (2004)
By John Neumeier after Hans Christian Andersen’s fairy tale.
Dedicated to John Neumeier.
Commissioned by The Royal Danish Ballet.
First performance: 15 April 2005 in Copenhagen by the Orchestra of The Royal Theatre, conducted by Graham Bond, John Neumeier (choreographer).
"Dreams and Whispers of Poseidon" for orchestra (2005)
In memory of the lives taken by the sea on December 26, 2004.
In one movement: Andante – Epilogue (Moderato).
Duration: 16 minutes.
First performance: 29 March 2005 in Los Angeles by the American Youth Symphony, conducted by Alexander Treger.
Epilogue for string quartet (2005)
Hommage à Edith Wharton in one movement.
Duration: 16 minutes.
First performance: 28 May 2005 in the Ozawa Hall of Tanglewood by Yehonatan Berick and Cornelius Dufallo (violins), Toby Appel (viola) and Yehuda Hanani (cello).
Dialogues on Stabat Mater for violin, viola, vibraphone and string orchestra (continuo ad lib.) (2005)
After Giovanni Battista Pergolesi’s “Stabat Mater”.
Commissioned by Musikfest Bremen and Lucerne Festival.
Movements:
1. Moderato
2. Andante nostalgico
3. Allegro molto
4. Andante
5. Drammatico
6. Agitato
7. Moderato
8. Presto assai
Duration: 39 minutes.
First performance: 13 September 2005 in Verden by Kremetara Baltica with Gidon Kremer (violin and conductor) and Ula Uljona (viola)
String Quartet Mo. 2 "Primera Luz" (2006)
Commissioned by the XLV Semana de Música Religiosa de Cuenca>
1. Adagio
2. Monologo - Andante, ma poco con moto
3. Cuatro Preguntas
4. Con moto
5. Con moto, ma molto pesante, intensivo e tragico
6. Adagio
Duration: 18 minutes.
First performance: 8 April 2006 in Cuenca by the Tokyo String Quartet.
String Quartet No. 3 "Cetera Desunt" (2006)
Commissioned by Jana Marko and Alexander Gérard for the Elbphilharmonie.
1. Dicis et non e
2. Sic ego non sine te …(nec tecum vivere possum)
3. Dicis et non facis
4. Nec tecum vivere possum… (sic ego non sine te)
5. Adventatis asinus, pulcher et fortissimus
6. Si vis pacem, para bellum
7. Non omnia moriar
8. Cetera desunt
Duration: 21 minutes
First performance: 9 August 2006 in Hamburg by the Petersen String Quartet.

CD Capriccio 71 104: Petersen String Quartet

Sonata for piano No. 1 "La Fenice" (2006)
Commissioned by Ksenia Knosikova.
1. Moderato
2. Allegro ma non troppo
3. L`istesso tempo
4. Moderato ma con moto
5. Andante
6. Adagio religioso
Duration: 20 minutes.
Sonata for piano No. 2 "Il Segno" (2006)
Commissioned by Deutschlandfunk.
1. Adagio tragico
2. Toccata. Allegro
3. Grave
4. Allegro
Duration: 15'
First performance: 15 August 2006 in Bonn by Lera Auerbach.
Sonata for violin and piano No. 3 (2006)
Commissioned by Arizona Friends of Chamber Music and the Harry and Lea Gudelsky Foundation, in memory of H. Paul Gudelsky.
1. Adagio tragico
2. Toccata. Allegro
3. Grave
4. Allegro
Duration: 15 minutes.
First performance by Stefan Milenkovich (violin) and Lera Auerbach (piano).
Postlude, encore piece for piano trio (2006)
In one movement.
First performance: 23 September 2006 in Bremen by Anton Barachovsky (violin), Claudio Bohorquez (cello) and Lera Auerbach (piano).
Symphony No. 1 "Chimera" (2006)
Commissioned by Duesseldorf Symphony.
1. Aegri somnia
2. Post tenebras lux
3. Gorgoyles
4. Et in Arcadia ego
5. Siste, viator
6. Humum mandere
7. Requiem for Icarus
Duration: 45 minutes.
First performance: 10 November 2006 in Düsseldorf by the Düsseldorf Symphony, conducted by John Fiore.

Thanks to Rafael H. Agudelo from the USA.

These data are collected from Lera Auerbach's website.

The works of Lera Auerbach are published by Musikverlag Hans Sikorski

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