Vassily Lobanov
Internet Edition compiled by Onno van Rijen
Updated 15 May 2002
Born
2 January 1947 in Moscow.
Education
From 1963 until 1971 at Tchaikovsky Conservatory in Moscow: piano under Lev Naumov and composition under Sergei Balasanyan. He also studied with Yuri Kholopov (analysis) and Alfred Schnittke (instrumentation).
From 1997 professor for piano at the 'Hochschule für Musik' in Cologne, Germany.
Style
At the beginning of his output he was mainly concentrating his energy on rhythm, which has a sort of Bartokian sharpness to it.
His early works show the influence of Denisov; his later works are
influenced by Schnittke.
He started applying serial techniques using quarter tones and double stops when writing for wind instruments. His fondness for repeated arpeggio patterns and
something of Reichian phasing, built of the common materials of Western
Music, is a characteristic element in his oevre.
Some of his works, like Piano
Sonata no. 2, sound minimalist in character; some of his more recent works,
like his opera Antigone, touch the world of pop music.
Another characteristic is his fondness for extremely bleak but evocative
melodic writing, somewhat sounding like the later works of Britten, but
presumably really more closely related to Shostakovich.
In some more recent works Lobanov has seemed to be trying to integrate his
style within the rather obvious formal traditions of Soviet music.
Works
- Two Pieces for piano opus 1 (1962-1963)
- Three Songs after S. Jesenin (1962)
- Three Pieces for violin and piano opus 2 (1963)
- Three Haikus for bass and piano opus 3 (1963)
- Four Pieces on Three Notes (in Imitation of Stravinsky) for piano opus 4 (1963)
- Piece for string quartet (1963)
- Sonata for cello solo (1963)
- Sonatina in G minor for piano (1964)
- String Quartet (1964)
- Three Songs (1964)
- "Sonettes of Death" for mezzo-soprano and piano (1964)
- "Autumn", three haikus for mezzo-soprano, oboe and viola (1964)
- Six Preludes for piano (1964)
- String Quartet in D minor (1964)
- Three Romances for bass and piano ("The Thief", "The Dwarf" and "The Storm Angel") after A. Blok (1964-1965)
- Twenty-Four Preludes for piano opus 5 (1964-1965)
- String Quartet No. 1 opus 6 (1965)
- Sonatina in C major opus 7 (1966)
- Piano Trio opus 8 (1967)
- Transcription of three songs of Johannes Brahms for piano (1967)
- Partita for piano, Suite No. 1 opus 9 (1967)
- String Quartet No. 2 opus 10 (1968)
- Pieces for Children for piano opus 11 (1968)
- Double Concerto for cello, piano and orchestra (1969)
- Five Preludes for piano opus 12 (1969)
- Toccata, Chaconne and Fugue, Suite No. 2 for piano opus 13 (1971)
- Sonata No. 1 for cello and piano opus 14 (1971)
- Five Romances for low voice and piano ("Shadows", "Madness", "The Flow", "Earth" and "Ocean") after F. Tütchev opus 15 (1971)
- "Plato" for two pianos opus 16 (1972)
- Sonata No. 1 for piano opus 17 (1973)
- Sonata No. 1 for violin and piano opus 18 (1973)
- Suite No. 3 for piano opus 19 (1974)
- Sonata for flute solo opus 20 (1974)
- Sonata No. 2 for violin and piano opus 21 (1975)
- "Krasnojarskie Pesni" for orchestra (1976)
- Symphony No. 1 for four flutes, trumpet, percus and strings opus 22 (1977)
- Prelude, Aria and Gigue for violin and piano opus 23 (1977)
- Two Pieces: Modulation and Solfeggio for flute solo opus 24 (1978)
- Seven Pieces for cello and piano opus 25 (1978)
- String Quartet No. 3 opus 26 (1978)
- Triple Concerto for violin, cello, piano and orchestra opus 27 (1978)
- Three Pieces: Mirage, Invention and Chorale for xylophone opus 28 (1978)
- Trio for flute, clarinet and bassoon opus 29 (1979)
- Variations for two trumpets opus 30 (1979)
- "Lieutenant Schmidt", oratorio after Pasternak for soprano, bass, chorus and orchestra opus 31 (1979)
- Adagio for violin, cello and piano opus 32 (1980)
- Sonata No. 2 for piano opus 33 (1980)
- Seven Slow Pieces for piano opus 34 (1980)
- Concerto No. 1 for piano and chamberorchestra opus 35 (1981)
- Symphony No. 2 opus 36 (1981)
- "Ode to Grass" for piano opus 37 (1982)
- Sonata for flute and piano opus 38 (1983)
- Cadenzas to Smirnov's Piano Concerto No. 2 (1983)
- Four Poems for bass and piano ("A Walk", "Petals", "Darkness" and "Archetype") on texts by A. Parin opus 39 (1984)
- "The Voice", song-cycle of eight poems after B. Karpelan for soprano (or tenor) and piano opus 40 (1984)
- "Ode to the Wind" for violin and piano opus 41 (1984)
- Concerto No. 2 for cello and orchestra opus 42 (1984-1985)
- Four Pieces in a Strict Style for clarinet (or viola) and piano opus 43 (1984)
- Four Diatonic Preludes for piano opus 44 (1984)
- Sonata for clarinet and piano opus 45 (1985)
- Transcription of Stravinsky's "Italian Suite" for cello and chamberorchestra (1985)
- Aria for violin and stringorchestra (1986)
- Two Preludes for piano opus 46 (1986)
- Sinfonietta for chamberorchestra opus 47 (1986)
- Fantasia for cello solo opus 48 (1987)
- String Quartet No. 4 opus 49 (1987-1988)
- String Quartet No. 5 opus 50 (1986-1988)
- "Antigone", opera after Sophocles opus 51 (1985-1987)
- "Exorcism" for clarinet and piano opus 52 (1988)
- Concerto No. 1 for viola and stringorchestra opus 53 (1989)
- Sonata No. 2 for cello and piano opus 54 (1989)
- Three Fragments for piano opus 55 (1989)
- Sonata in Six Fragments for violin and piano opus 56 (1989)
- Father Sergius, opera in one act after the story by L. Tolstoy opus 57 (1990-1995)
- Sonata for viola and piano opus 58 (1990)
- Fantasy for horn and piano opus 59 (1991)
- "God-Nightingale", cantata after O. Mandelstam for baritone and chamberensemble opus 61 (1991)
- Piano Quintet opus 60 (1991)
- Trio for clarinet, viola and piano opus 62 (1992)
- "Small Suite in Old Style" for viola solo opus 63 (1992)
- Concerto No. 2 for piano and orchestra opus 64 (1993)
- Double Concerto for violin, clarinet and chamberorchestra opus 65 (1995)
- Offertorium for piano quartet and percussion opus 67 (1995)
- Six Prayers for piano (1994-1997)
- "Mahler", Symphony No. 3, part 4 - 6 for piano quartet (1995-1996)
- Piano Quartet opus 68 (1996)
- String Trio opus 69 (1996)
- Concerto for trumpet, percussion and stringorchestra opus 70 (1997)
- Concerto No. 2 for viola and stringorchestra opus 71 (1998)
- Clarinet Quintet opus 72 (1999)
- "Iron Wool" for narrator and violin on a text from Ivan Bunin Novel opus 73 (1999)
- Quartet for clarinet, violin, cello and piano opus 74 (1999)
- Mozart-Variations for piano four hands and stringorchestra without opusnumber (2000)
- Seven Songs for bass, soprano and piano after William Shakespeare and Emily Dickinson) opus 75 (2001)
- Nocturne for piano opus 76 (2002)
Thanks to the composer himself for additional information
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