
First of all the long-awaited release of the live DVD Twelfth Night - Live in Heilbronn which had been postponed several times. But it was definitely worth waiting for.
In March 2004 Elliott Murphy played 12 shows in 12 days on this year's German tour. The final show took place in Heilbronn at the vaults of the Bürgerhaus Böckingen. "Twelfth Night" - this is the title of the Blue Rose DVD, released in January 2005 - not really according to a play by William Shakespeare. A packed house, a fantastic audience and a tight band are the main actors for a great DVD production which comes in 5.1 Dolby Surround and Stereo sound.
This DVD was recorded on the final night, March 24, 2004 in Heilbronn, Germany. It was one of the most inspired nights of the tour. They’ve been as tight as a touring band hopes to be and that’s really saying something. The band came from far and wide: Very special guest Cindy Bullens from the New England shores of Maine, guitar virtuoso Olivier Durand from Le Havre, drummer extraordinaire Danny Montgomery from San Francisco and bassman Jorge Otero from Spain’s green northern coast.
This DVD contains the whole 120 minute set featuring 21 songs like the Murphy classics "On Elvis Presley's Birthday", "Diamonds By the Yard", „Last of the Rock Stars“, „Come On Louann“ or "Green River", plus great covers of Bob Dylan’s "Simple Twist Of Fate" or the Rolling Stones barnburner "Let's Spend the Night Together” and an outstanding version of "Neverland" with Cindy Bullens on lead vocals.
At the same time another album of Elliott's 33 year long back catalog will see the light of day. It's the third time already - Live Hot Point was originally released in 1989 on the French label New Rose and contained 10 songs of the show recorded at the Hot Point Festival in Nyon, Switzerland on June 17, 1989 (like "Drive All Night", "Silver Bullet" or "You Never Know What You're In For"). The New Rose CD edition included two more songs but the now released Blue Rose version contains the complete show. Remastered and including 3 previously unreleased songs ("Ballad Of Me", "35 MM Dreams", and "Wild In The Streets"), "Live Hot Point" features Elliott's great band these days including Ernie Brooks (bass), Art Labriola (keyboards), Tony Machine (drums) and special guests Chris Spedding (guitar and vocals on 2 songs) and Garland Jeffreys (guitar and vocals on 3 songs).
Album number 4 - Never Say Never/The Best Of 1995-2005... And More is a wrap-up of the last 10 (Blue Rose) years in form of a great CD+DVD digipak package with 10 songs from the albums Selling The Gold, Beauregard, April, Rainy Season, Soul Surfing und Strings Of The Storm plus 4 new and previously unreleased songs, especially recorded for this compilation. The double LP+7" single contains three bonus tracks. The DVD is full of visual treats and surprises for both the hard core fans and general public: live 5 song performance concert, 2 Video Clips, Discography featuring the covers of over 25 albums, an incredible Photo Gallery, Biography and more in a multi-media presentation that runs well over one hour. This fantastic package will be available on February 7th.
Elliott performed Neil Young's "Rockin' In The Free World" in 2004 with Gary Louris (The Jayhawks) and Neal Casal on a radio show. Listen to it on mp3
ELLIOTT MURPHY - STRINGS OF THE STORM released in 2004 as a double cd set and on triple vinyl !!
REVIEW
- ELLIOTT MURPHY | STRINGS Of THE STORM
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Masterpiece
On the debut record of Elliott
Murphy, Aquashow from 1973, the American troubadour opens with
the significant anthem ‘Last of the Rock Stars’, which is considered
as many years later still and more than ever as a type of anthem
to him. Hardly impeded recent developments and disappointing sale
figures the singer-songwriter of short tales bring out almost
annually an album. But after a flashing start in the early seventies
with brilliant singer-songwriter albums as Lost Generation, Night
Lights and Just a Story from America, the level of Elliott Murphy
craps in the early eighties scrupulously in. A decade later the
troubadour resident in Paris could hardly keep his head above
water. In 1995, seemingly washed out, Murphy gained only success
with the blade record Selling the Gold in cut-price selling barges
of record shops, where he itself with its skeptical attitude towards
modern technology alienated from everything and everyone.
My
fortune are written in the rigid
My destiny in the six strings of a guitar
('The Last Star of the Night ')
Eventually the perseverance of Murphy rewards, but real artistic
rotation comes just in the new millennium, where especially republications
of older studio albums and sober live-albums confirm once again
the qualities of the obstinate singer-songwriter. It is exactly
on the second last studio album Soul Surfing and his most recent
acquisition Strings of the Storm that Elliott Murphy, 54 years
old, in a natural manner lets hear that he has started his second
youth. In real he has now rightly come in a period in which he
is less in a hurry. Murphy has hardly to lose something. Moreover
at him the mildness are not converted automatically into thoroughness.
Perhaps that only sometimes the bitterness and the cynicism shines
through, like in ' The Last Star of the Night ' and Dylan-esque
'The Poet and the Priest '. In fact it is also a form of satire,
such as we know that of Warren Zevon and Frank Zappa.
I've
lived my life by life in degradation and shame
I might call myself a poet - But no one even knows my name.
(' The Poet and the Priest ')
On the semi-acoustic Strings of The Storm the helping hand comes
of Olivier Durand, with which Murphy has composed no less than
twenty-three songs on two full disks lets hear that he has outpaced
his influence sources. Strings of The Storm is typically such
a matured cd where followers of Bob Dylan, Neil Young (Murphy
covers Youngs ' Bird ') and Bruce Springsteen only can dream of
that their large idol comes once more in a last spasm with something
similar Even if it is half as good as for example the unpretentious
openings song 'Green River ' or the splendor ballads ' Temple
Bar ' and 'Look Around You '. Elliott Murphy seems to toss of
the honest shake folk-rock, where the rebellious punkfolk of the
beginning years is replaced by modesty. And yes, frequently rock
artists find their most recent work the bests. Now I have not
yet spoken Elliott Murphy, but Strings of The Storm is without
exaggerating the crown on its thirty year career. The sublime
Strings of The Storm can be considered as his future Greatest
hits record, but one without hits. And for he who not gets it
yet: Strings of The Storm is a masterpiece. More strongly
still: two masterpieces!
text: Maurice Dielemans
(KINDAMUZIK)
Modern Music Webmagazine
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REVIEW
- ELLIOTT MURPHY | STRINGS Of THE STORM
NRC Handelsblad,
November 2003.
NRC is a so called quality Dutch newspaper.
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Very Good
Singer/songwriter Elliott Murphy is already making record for 30 years. He worked together with all different big names from New York, Talking Heads, Velvet Underground, Bruce Springsteen and still his name is hardly known. But the American who nowdays lives in Paris writes beautifull songs that might as well could be from the hand of Bob Dylan. His new dubble-cd Strings of the Storm has timeless instrumentations and Murphy''s voice sounds in 2003 not so different as it sounded back in 1976. His style of singing does have the sarcasme of Dylan's but he can also draw out lyrical or he dictates with severity. Meanwhile he is surrounded by acoustic guitar play that jingle on like a steamtrain over the prairie. And Murphy tells and tells, about poets and priests and rambling souls stuck between expectation and reallity. This troubadour may sound traditional, but his approuch is fresh and his dedication is noble. This way Elliott Murphy can last for many more years.
By Hester Carvalho
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REVIEW
- ELLIOTT MURPHY | STRINGS Of THE STORM
Review in ALOHA (December 2003), Dutch Rockmagazine
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Masterpiece
Because it's a double
album, the record company brings to memory
Dylan's "Blonde on blonde". This may be a little overenthousiastic,
but "Strings of the Storm" will certainly not be considered
to be a
contractfiller by a has-been. Because, holy-almighty, what a bunch
of great songs! As a consequence of the bible-references and short
stories like "The poet and the priest", a comparison
can easily be drawn between Murphy and mister Zimmerman, but then
again, he's used to it. Olivier Durand's (slide)guitarplaying,
the harmonies of Cindy (Grease) Bullens and the atmosphere-raising
accordion of Kenny Margolis bring an added value in particular
to the wisely sung folk- and country-rooted ballads, while in
the texts the ghost of 9-11-01 can be recognised. But at the same
time Murphy seems to understand there's no need to worry any longer:
"Most of the things I worry about, they don't happen to me"
he sings in "Temple bar". And just imagine he made a
double album with not a single weak song. A one-off.
By Chris van Oostrom
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REVIEW
- ELLIOTT MURPHY | STRINGS Of THE STORM
Review in OOR (nr. 21 - october 20th 2003), Dutch Rockmagazine
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Very
Good
After a live registration, the studio albums "Rainy Seasons" and "Soul Surfing" and a duo record with Iain Matthews, Elliott Murphy comes again with a new cd. And what’s more a double-CD, named after a poem of the French surrealistic writer André Breton. Prestigious all, certainly. But we do not let forget that Murphy belongs to that type of artists that seldom disappoints. And he doesn’t also now.
The last years the singer-songwriter opted for a more intimate, acoustic setting, but here we even hear complex arrangements and even some stormy rockers, where generally retrospective texts are still the necessary substance for self reflections. On the traditional folksong "The Banks From Ohio" and Neil Young’s "Bird" Elliott Murphy wrote a couple of songs with the guitar-player and his right-hand Olivier Durand. His tasteful solos play a prominent role, as well as the tasteful accordion game of Kenny Margolis, who provides from time to time a melancholic Tex-Mex tint to the songs. And we also must not forget the beautiful second voice of guest singer Cindy Bullens. Strings Of The storm is no traditional masterpiece, as the enclosed bio shouts, but nevertheless at least a monumental peace of craftsmanship.
Marcel Haerkens.
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Hard to believe that thirty years have gone by since the release of his first album Aquashow in 1973 ("I've been together three times as long as the Beatles…") but since that time ELLIOTT MURPHY, singer-songwriter, rock troubadour, indefatigable road warrior and sometimes author has proven his dedication to his art and his commitment to his growing legion of fans over and over again. Where others might be slowing down after such a arduous journey Elliott is kicking up the pace and raising the stakes and his new double CD Strings Of The Storm is getting praised worldwide. Twenty-Two songs (plus a bonus track - "Ground Zero" - and one more on the triple vinyl - a rendition of Mick Jagger's "Evening Gown") and enough words to fill a short novel. He's got 24 albums and thousands of concerts all over the world behind him and he won't say his secret ("Really it's my fans - they show me the light and give me the strength to come out and fight another day…").
Strings Of The Storm features the well know Murphy players: bassist Ernie Brooks, keyboard/accordionist Kenny Margolis, and drummer Danny Montgomery. Thrown into the mix was Blue Rose artist Cindy Bullens ("I found pools of humanity in her voice…"). The recording went down in Le Havre at the studio of Florent Barbier who engineered and mixed as well as playing percussion and occasional drums ("This past year I saw more of him then my own family…") and, of course, Strings Of The Storm features guitarist extraordinaire Olivier Durand who has become such an important element of the Elliott Murphy formula of success since they first began playing together six years ago and on Strings Of The Storm Olivier adds a new special musical color with Baritone guitar to give the album a unique texture.
Is it rock or folk or alternative? ("Who knows? But most of these songs were written on the road, backstage and in hotel rooms. Whatever it is its truly authentic hand-made music - that's guaranteed!") Elliott Murphy like most songwriters hates to talk about his songs ("Not true! Listen, "Green River" was the last song I wrote for the album. I needed a rocker and I found it in Spain and "The Poet And The Priest" was started while I was sitting in a church during a funeral and I took out a pen and an envelope. I ran out of paper and started writing on the Bible in front of me. "The Banks Of The Ohio" is a traditional American folk song with roots of tragedy and "Big Sky" is the most spiritual song on the CD although "The Red Lights" is my own favorite and I wrote it on the island of Majorca where it never rains except when I'm there."). Why a double album? ("I always loved Dylan's Blonde on Blonde, The Stones' Exile on Main Street and The Beatles' White Album. I had the songs, the band, the energy and the time and I didn't let the moment pass. There were times during the not-so-lengthy recording process that I lost my confidence… things were moving so fast and I almost lost control… The songs started swimming away from me. But I never gave up hope and finally the storm cleared and I was holding the strings…").
Blue Rose Records

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- The Day After Valentine's Day
- Caught Short In The Long Run
- "Fix Me a Coffe" and "A Little Push"
- "Caught Short In The Long Run"
- "Hollywood", July 15 2004, Barcelona, Spain
- " Green River", Live in Piedrafita, Spain, 2004
Rainy Season Fans Show at the Sala Apollo, November 6 2004, Barcelona, Spain:
- "If Poets Were Kings"
- "Diamonds By The Yard"
- " Your gonna Chase Your Love Away"
Johan
Severijns © 2003